Film: Vastadu Naa RajuCast: Vishnu Manchu, Tapsee, Prakash Raj, Sayaji Shinde, Brahmanandam, Ali, Jeeva, Tanikella Bharani, Ajay, Satyam Rajesh, Siva Reddy, Babloo, Tulasi, Surekha Vani, Satya Krishnan
Dialogues: Raja
Music: Mani Sharma
Cinematography: S Gopal Reddy
Editing: Gowtam Raju
Art: Raghu Kulakarni
Presented by: Mohan Babu
Producer: Vishnu Manchu
Story, screenplay, and directed by: Hemanth Madhukar
Release date: Feb 11, 2011.
Watched Theater: Siva, Guntur.
Rating: 2.75 / 5
Manchu Vishnu New Telugu Vasthadu Naa Raju Telugu Movie Review:
This vishnu was Succeded when Compare to his Previous Films. This Film Seems to be Worked For Vishnu.
Story:
Venky (Vishnu) is a boxer and leads life happily. He accidentally meets Pooja (Tapsee), sister of a rowdy aspiring to become a politician Narasimha (Prakash Raj). Both Pooja and Venky frequently caught at various dos, which gives wrong assumption that they are lovers. Thinking that his sister's in love with Venky, Narasinha attacks Venky's family. Venky retaliates to this. Rest of the drama is all about conflict between Venky and Narasimha and real romance ensuing between Venky and Pooja.
Artist Performance:
Vishnu Manchu: Vishnu Manchu has positive body language in the movie and he is looking good. He changed his dialogue delivery a bit to suit the modulation of Mohan Babu. He has tried new steps in Dabidi Dibidi song and he is very flexible with his movements in this song. The fights in the movie are also well performed by him.
Others: Tapsee is glamorous in the movie. Brahmanandam who starts off in a routine note creates good entertainment in the second half. This character is a cake walk for Prakash Raj and his dialogues are neat. Satyam Rajesh, Siva Reddy and Babloo acted as hero’s friends. Ali’s cameo is ineffective. Ajay didn’t have an effective role in the movie. Sanjay Reddy (CEO of Gemini) did the role of Vishnu’s brother and he is camera-friendly.
Others: Tapsee is glamorous in the movie. Brahmanandam who starts off in a routine note creates good entertainment in the second half. This character is a cake walk for Prakash Raj and his dialogues are neat. Satyam Rajesh, Siva Reddy and Babloo acted as hero’s friends. Ali’s cameo is ineffective. Ajay didn’t have an effective role in the movie. Sanjay Reddy (CEO of Gemini) did the role of Vishnu’s brother and he is camera-friendly.
Technical and Other Departments:
Story - screenplay - direction: It is an interesting story with nice screenplay. The hero and the heroine doesn’t meet each other till interval point, but lots of things happen around as everybody thinks that they are dating each other. This film also sports some interesting screenplay that we find in Seenu Vytla’s movies. However, the director who could able to come up with decent writing couldn’t convert it efficiently onto the screen.
Other departments: Cinematography by the veteran cinematographer S Gopal Reddy is good. This is the first straight Telugu movie to be shot entirely by digital camera. You will not see much of a difference between the output of digital camera and the regular camera. Music by Mani Sharma is good and all the songs are shot well. My favorites are Hello Everybody and Padha Padha. Since the couple meet only during interval, most of the songs are more like imaginary ones from the third character’s point of view. Dialogues are okay. There is a good dialogue on the greatness of Telugu and a ‘punch’ dialogue on Andhra, Rayalaseema and Telangana. Stunts are well choreographed. Production values by 24-Frames factory are good.
Other departments: Cinematography by the veteran cinematographer S Gopal Reddy is good. This is the first straight Telugu movie to be shot entirely by digital camera. You will not see much of a difference between the output of digital camera and the regular camera. Music by Mani Sharma is good and all the songs are shot well. My favorites are Hello Everybody and Padha Padha. Since the couple meet only during interval, most of the songs are more like imaginary ones from the third character’s point of view. Dialogues are okay. There is a good dialogue on the greatness of Telugu and a ‘punch’ dialogue on Andhra, Rayalaseema and Telangana. Stunts are well choreographed. Production values by 24-Frames factory are good.
Analysis:
The film comes across as a decent attempt to give entertainment given the fact that this is a debut attempt from the director. While the first half was a bit jerky due to technical hiccups and weak direction, it picks up right before the interval. The second half has the actual punch and though it got dragged at few instances, overall it gave a good feel. The film as such justifies its genre and has the required ingredients for keeping the audience busy. At the box office, this will land in safe zone.
Final View:
Vastadu Naa Raju has interesting plot line and provides some good laughter but the movie lets you down as it progresses, especially climax sequences are big disappointment. Comedy and rich visuals are its strength.
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